#validation excel sheets

[jsapharmaguideline]

Download SOP Pharmaceutical Protocol PDF Achieve operational efficiency and compliance excellence with our meticulously curated Standard Operating Procedures (SOPs) and Protocols for a diverse range of pharmaceutical formulations. From oral dosage forms to injectables, external preparations, biologics, vaccines, and pharmacovigilance, our comprehensive collection equips your team with the guidance needed to navigate complex processes with confidence. Explore our website today to download the Documents. For more info, visit our website: https://www.jsapharmaguideline.com/

[thefantastickatinator]

Dropout should hire more trans women.

That said, a couple things about the data set floating around showing disproportionality in casting:

1. 7 of the top 9 (those cast members who appear in over 100 episodes, everyone else has under 70 appearances) are members of the core dimension 20 cast, aka “the intrepid heroes”. This cast has been in 7 of the 22 seasons, with those seasons usually being 20-ish episodes long (the other seasons are between 4-10 episodes long typically). That’s approximately 140 episodes for each of the main intrepid heroes cast members just for these seasons (not including bonus content like live shows). Brian Murphy has appeared 154 times, which means almost all of his appearances were on D20 intrepid heroes campaigns.

2. The other 2 in the top 9 are Sam Reich and Mike Trapp, who are both hosts of long running shows (Game Changer and Um, Actually)

3. 198 of the 317 episodes that noncis “TME” people have appeared in can be attributed to ally Beardsley alone (there is some crossover where for example alex and ally have both appeared in the same episodes). Erika ishii has been in 67 of the 317 noncis “TME” episode appearances i don’t know how much crossover there is between them but i don’t think they’ve been on d20 together so i doubt it’s more than 20. It could be as many as 250 of the 317 episodes that have either erica or ally. Both Erika and ally are majorly skewing the results for the data

4. Over 3/4 of people have no listed gender identity in the spreadsheet - most of them have 1-2 appearances, but a few have 3-4 appearances. I’m pretty sure these people aren’t included in the data at all (some of them i’m p sure are not cis like jiavani and bob the drag queen)

5. The data collector has assigned “tme” and “tma” to various cast members.

TME: transmisogyny exempt

TMA: transmisogyny affected

Now, tranmisogyny can affect trans women, trans femmes, and nonbinary people, and occasionally masculine appearing cis women.

I personally do not believe that an outside person can assign you a label deciding whether or not you experience certain types of oppression- and yet that is what the data collector has done.

I think a more accurate label would be amab/afab, or more honestly- “people i think are amab or have said they are amab and then everyone else���

6. The data does not include many of their newer shows such as Very Important People, Gastronauts, Play it By Ear, and Monet’s Slumber Party, all of which feature trans people (MSP, Gastronauts, and VIP are all hosted by noncis people)

What I think the data more accurately shows:

- Dimension 20 has a “main cast” who have appeared in the majority of episodes

- Dropout has some “regulars” who appear on the majority of their content/shows (sam has referenced multiple times that brennan is one of the first people he calls whenever someone can’t show up for something since he’s nearly always down for anything) - none of these people are trans women

Final thoughts:

I think eliminating “hosts” and the “intrepid heroes” from THIS TYPE of data set would be more appropriate because they massively skew the data when crunching the numbers for dropout shows. Especially since I can tell from the excel sheet that there are shows missing. Examining d20 sidequests and the guests on the other shows will give a more accurate representation of casting. Hosts should be analyzed separately as that’s a different casting process.

Also imagine if we referred to men and women as “misogyny exempt” and “misogyny affected” when doing demographics. Or if someone did a data collection of the number of POC appearances in dropout episodes and sorted it by “racism affected” and “racism exempt” - so weiiiiird

TLDR: the data set has massive issues with its methodology and that should be considered. That doesn’t make what trans women are saying less valid.

In other words: spiders brennan is an outlier and should not have been counted

[ethereal-blossom]

Giving BSD boys a blowjob for the first time

ft. dazai, kunikida

warnings: blowjobs (surprise!) MDNI

a/n: kinda wrote these in mind thinking it was also giving them a handjob for the first time so I guess that's double the fun!

Dazai Osamu ♡

Your eyes looked up to find Dazai's face, searching for a sign of approval. In response, Dazai let out a validating, soft moan and closed his eyes as he nodded. "You're doing excellent, belladonna."

It wasn't unexpected. Dazai, sharp and observant as a hawk, had seen the way your eyes lingered over every small change in his facial expressions. While you were dating, both of you had agreed to take things slow. Even small milestones like holding hands was a huge thing for the man that was wrapped in bandages. The slow burn of deepening your relationship into each other's hearts until it left a permanent mark that even time couldn't erase, was wonderful.

But with time grows desire. Dazai teased you to the point of dilated pupils, hitching breaths, and a blush that cups your cheeks. Exactly like planned, the detective thought, smirking behind the mask of crafted innocence. Except, the plan had been for you to beg him to touch you; not that you would beg to make him feel good as your fingers pushed his hips onto the couch. Dazai is highly aware of his intelligence that makes him read people as if they are a children's book, but sometimes, he thinks he doesn't always grab your nature. The type of nature that has you on your knees in front of him, getting high off of his pleasure.

When you wanted to focus your attention back on the twitching cock in your hand, the sight of Dazai's fingers grabbed your attention. You knew Dazai better than any living soul. Although still a mystery novel that hides behind words of deceive and avoidance to keep parts of itself hidden until the time of reveal is there, this mystery novel was slowly showing you its pages that brought you closer to the truth.

One of the mysteries revealed was Dazai's massive self-control over his external reactions. Emotions were another vulnerable aspect of what it meant to be human, and Dazai hid them masterfully. A part of that was because it functioned as a tactic to reach his goals and stay in control, but a part of you wondered if it was because Dazai feared vulnerability more than a bullet. Emotional suffering is torture for the ones with a sensitive heart.

While Dazai's face was decorated in controlled bliss and his moans playing like a soft lullaby, the slender fingers around the sheets were clinging for dear life. You see... could you make another crack in that composed facade?

Your thumb starts drawing circles over Dazai's tip and with that, you witnessed the twitching of both his cock and fingers. A soft groan escaped Dazai's clenched jaw. "Ah, that's my belladonna. You're soo good to me, hm? Working hard for that reward." That controlled tone...

... It wasn't enough.

Dazai could tell something changed. Even though he had his eyes closed in concentration, clinging to the tiny bit of control he had, he noticed how your stroking became irregular. "What's filling your mind that isn't my- argh, shit." Dazai's eyes shot open as he bolted his hips deeper into your mouth, leaving you gagged for a good second.

That face of pure shock and arousal, the one you rarely got to see on your lover, revealed itself to you as you had taken Dazai's tip into your mouth. "Y/N, that's-"

Another lick and Dazai's original sentence was replaced by a moan, and the detective felt like all control slipped between his fingers when you placed your hands around the rest of his cock.

Dazai grabbed your hair, hissing you to go slower because oh God, he was about to cum faster than he ever did in his twenty-two years of living, and God knows he did not want this euphoria to end this soon. Oh, he really wasn't used to feeling this good-

"Belladonna, y/n, please-" Dazai didn't know what he was begging you for. For you to go slower? Faster? What it was, you hummed in approval. That little vibration was all it needed for Dazai to throw his head in his neck. His toes curled as high-pitched whines fell over lips that had become swollen in a miserable attempt to hide his moans.

When you looked up after swallowing, you were met with Dazai's bangs hanging over his eyes. "Osamu, are you okay?" Worried, you push the chocolate colored bangs aside and... oh.

He was so pretty with scarlet painted cheeks. Dazai couldn't even look you in the eyes, giving up after one second of eye-contact before shyly facing another side with his head. "That was... good. For a first attempt."

You chuckled as your hand caresses the cheek that faced your way and with a slightly hoarse voice you respond: "Good. I'll make you even feel better next time."

Dazai's hands twitch one last time before he closes his eyes and mentally picks up every string that he lost along the way. As the detective opens his eyes, you can see the control and seduction in those dark eyes that you love so much.

Dazai leans closer until you feel his breath on your ear. His lips tickle and a shiver runs down your spine as he whispers: "Someone has earned that reward, hasn't she? Let's see how long I can make you last."

Kunikida Doppo ♡

Rubies could not compete with the radiant red glow of Kunikida's face as he realized what you were about to do. The detective should have known you were up to something when he was preparing today's schedule and you had popped up behind him, placing your arms around his waist as you kissed his neck and whispered: "Keep a spot open at 8 PM, love."

Even when the blond had asked for details, your lips stayed sealed. The only hint Kunikida got out of you was "Dazai has made you work over-hours; I want to treat you."

Naively, innocently, Kunikida thought you might have a dinner or massage in mind. Not that he was wrong! It was just a... different type of massage. With your tender fingers wrapped around his cock, Kunikida clenched his jaw to not make a sound, but the moan slipped away as he sighed your name: "Y/n... I, we-"

"Does it feel good, Doppo?" You made sure to rub his tip with your thumb right then, making the detective's cock drop with pre-cum.

"It- yes... yes, it feels good."

Looking up blessed you with the sight of an orderly man turned into a mess under the tip of your fingers. A wave of arousal rushed through your body, seeing the man unravel in front of you. You figured he would be vocal, but oh-

Kunikida was sensitive. The smallest movement had him throwing his head back and trusting his hip as tiny moans calling your name filled the room. Not only were his cheeks the color of fire due to the heat of your touch, but the intimacy of it all left him flustered as well.

You felt a hand rest on your head, lightly gripping a bit of hair. "Y/n... we, you- I have to make you feel good, too."

Oh. "That has to wait."

"But- ah!" The hand around your hair tightened in response to your mouth taking his cock.

Kunikida's thoughts were twirled up in the storm that was you. Your name rolled off his tongue like worshipping prayers as you brought Heaven to earth for him.

The bliss of touching Heaven became too much, and with one closing word, Kunikida fell apart. He arched his back, forgetting to bite his lip to soften the groans that might slip through the walls where his colleagues live. His grip around you tightens, never wanting to let you go, never wanting to let this feeling go. But then Kunikida realizes he's still on earth and lessens his grip on the fear he's hurting you.

The detective looked into your eyes, but they were filled with lust directed at him and God, it felt so sinful that he had to deflect his gaze. Yet, you grabbed his chin and made your boyfriend face you.

"Do you feel better?"

Kunikida stammered, trying to get out a word. "Yes, that was," an embarrassed cough, "excellent." 

Your thumb caressed his lip. "Good."

And then, the world flipped around as Kunikida lay your back on the bed. "I have done a deep-dive research on how to please you when the time was there. Now, let me return the favor." 

[beansprean]

colin robinson: truly the windows update of men <3

My Familiar’s Ghost part 75

Masterpost

See the latest pages on Patreon!

(ID in alt and under cut)

ID: 1a. Close up on a small projector with light beaming out of its lens. 1b. Waist up of Colin standing in front of the fireplace in the fancy room, holding his laptop in one hand and gesturing behind him with the other, where a vinyl screen has been lowered. A color coded excel sheet with a list of vampires on the y axis and known familiars on the x axis is being projected on it. Each name is highlighted either red, green, or gray. Colin grins and says, 'For everyone's convenience, I've made a handy-dandy excel sheet cross-referencing known familiars with their current or former vampire masters. I would like to highlight the vampires G-man here killed in his recent rampage; no doubt they left some familiars out of work, haha!' 1c. Close up on the excel sheet as an error pops up that says 'this value doesn't match the data validation restrictions defined for this cell'. Offscreen, Colin continues: 'As you can see here, I-oh, darn. Hang on, I think I'm on the wrong cell. 1d. Repeat. Another error pops up over top of the original that says 'there's a problem with this formula'. Colin says, 'Whoopsie! Didn't mean to hit that, haha! Butterfingers over here!' 1e. Repeat. Another popup with the original error appears on top. On top of that, an error that says 'runtime error 7: out of memory'. On top of that, an error that says 'not enough resources to display correctly'. Colin mutters to himself offscreen: 'Let me see, uh...tab...function...nope. Control plus...s? Oh, I think I took a screen shot. Gotta remember that one, heh!' 1f. Repeat. Another error appears on top saying 'microsoft excel has stopped working. hang on while windows reports the problem to microsoft' with a loading bar. Colin says, 'Oh, dag nabbit. Excel, who approved this vacation time?'

2a. Close up on Laszlo slumped in the loveseat, head propped up on a fist with half-closed eyes blearily focusing on the screen. Behind him, Nadja is holding Dolly's body over her head like earmuffs to block the sound of Colin's voice, her mouth open in a frustrated groan. Dolly has her palms over her own ears. Offscreen, Colin chuckles in delight and says 'Don't worry, I can get her going again. Let me try to reset...' 2b. Close up of Guillermo leaning against the doorway, arms crossed, eyes closed as he nods off. 2c. Close up on Nandor leaning back in his chair, eyes closed and mouth slack as he resists sleep. Colin continues offscreen: 'Ope. That was restart. Oh, uh... 'configuring windows updates'... Well, hopefully that won't take too long. 2d. Reverse shot, wide, of Colin standing by the projector screen as Nandor suddenly sits straight up in the foreground, eyes squeezed shut and face turned away from Colin toward the viewer. He whips his left arm out toward the projector screen and shouts 'Enough!' The screen bursts into flame, startling Colin who had been tapping fruitlessly at his laptop. /end ID

[it-crowd-unexpected-reboot]

Update #2: A New Outlining Method, Dropdown Plotter

I've been having a hard time conceptualizing how to plan out a novel lately. It used to come so easy to me. Now that I'm a real adult, it feels like there isn't enough space in my brain anymore for me to have my story all in my head without writing my ideas down somewhere.

So, good outlining methods, which can be hard to come by, are crucial for my writing process.

But, a lot of traditional methods don't work for me.

In my opinion, it's extremely important to have an outlining method that doesn't overwhelm you, and which feels creatively freeing. And when do I need to be more creatively free, than when writing an IT Crowd fanfiction?

So I've come up with a new outlining method that I'd love to share with you all! I call it Dropdown Plotter.

Dropdown Plotter uses the dropdown menu feature, which can be found in both Google Sheets and Microsoft Excel, to help you better visualize (and, most importantly, easily reorganize) the major aspects of each chapter of your story.

Basically, it's a spreadsheet that includes, at minimum, 8 columns.

Chapter Title

Plotlines

Included Character(s)

Perspective Character(s)

Location(s)

Chapter Story Description

Writing Stage

Due Date

Why keep track of these things? Balance. Basically, making sure your characters, plotlines, POVs, and important locations all get adequate page time.

It's a lot easier to conceptualize these things when you have it on a color-coded spreadsheet, zoomed out really far, and can see in a big picture way. For example, you might see that the red color indicating "Legolas" is in a scene, drops off after Chapter 17. You might see that the green-coded plot about his missing shoe is only important for 5 chapters in the middle of the story, or that we're spending almost the entire story in the bathroom and never in the evil lair.

So, how do you use the Dropdown Plotter?

First, you go into the dropdown menu, and you can see all the plots you've selected. There's a handy "search feature" for those writing the next Game of Thrones. You want to click the little pencil icon in the bottom right, which is the "edit" button.

On the right-hand side of your screen, a column will pop up called "Data Validation Rules." From here, you can edit the names and colors of each item in the dropdown menu, and add or delete things as you'd like.

Make sure to click "allow multiple selections" on the bottom of the data validation rules pop-up. This will allow you to select multiple characters, multiple locations, and multiple plots when you're in the dropdown menus.

Don't forget to click "Done" at the bottom!

On top of the dropdown menus, the nice thing about working in a spreadsheet is that you can always drag and drop the rows and columns. This makes it extremely easy to change the order of scenes around, in a way that feels very impermanent and easy.

Here is what my Dropdown Plotter looked like for the first three chapters of The Grant: An IT Crowd Fanfiction.

Looks pretty, right? And pretty outlines build confidence! Not only that, but what I like most about this outlining method is that it encourages me to be less precious with my ideas.

It's way less intimidating to overhaul major aspects of your story, such as the dominant POV, the main plot, etc., when all you have to do is click a little button in the dropdown menu to change everything. When I'm editing a little blurb in a spreadsheet versus an entire step outline, it reminds me that no writing problem is insurmountable, and nothing is ever really set in stone.

Again, it builds confidence.

Unfortunately, I've only built a Dropdown Plotter in Google Sheets, but I've provided a blank version to share with you all. The nice thing about spreadsheets is that you can add and delete things as you see fit. For example, some people might want to add...

More columns indicating multiple scenes within the same chapter!

A "Story Beat" column, to mark the specific plot beats each chapter follows (as in the Hero's Journey or the Blake Snyder Beat Sheet).

An "Important Info" column, to mark any worldbuilding or character details discussed or introduced in a certain chapter.

Literally anything your little heart desires!

Happy outlining and I hope you enjoy the Dropdown Plotter!

[februaryfangfest]

That's right, it's that time of year again! Time to start thinking about February Fangfest because it's time to get the family back together once more, right where they belong!

This coming February, join us for our second annual Fangfest and celebrate the Fanged Four and all their gleefully gory glory. We’re looking for all kinds of fan creations. Fanfic, artwork, vids, meta/essays, icons, poetry, gifs, wallpapers, crossword puzzles, anything that shows your love for the vamily.

The theme this go 'round will be Love Language and we hope you'll have lots of fun with it!

Wanna take part?

We’ll be taking sign-ups until the 15th of January, Check out our signup sheet! Multiple submissions are welcome. Our submission deadline will be the 1st of February and we’ll be revealing your creations during the event, one per day - or more, if there’s enough!

Don’t wanna create a thing? Commenters are adored and will get all the cakes.

Rules:

The theme will be 'Love Language'

All submissions must be your own creation and shouldn’t have been posted anywhere else beforehand. We wanna encourage fresh creative blood to be spilt!

Our Ao3 collection will be opening shortly for you to submit entries.

Stories and artwork can be set at any point in the past or future, in hidden glimpses we never saw in the show, reunion stories, worlds where Darla’s still around. They could be souled, unsouled, or in any what-if or AU your heart can dream up.

Your work needs to incorporate the theme in some way, however small, and we encourage creative interpretation.

Works should involve at least two members of the Fanged Four. The main ship and primary focus should be the Fanged Four or one of the sub-pairings (Spangel, Dangel, Sprusilla, Darsilla, etc). Any romantic endgame for a member of the Fanged Four should include at least one other member of the Fanged Four.

Minimum word count for fic is 100 words and there’s no maximum. One shots and chaptered works are equally welcomed, but they should be complete and not part of a pre-existing fic series. There’s no rating limit but you should tag responsibly. No bashing of the group or its members please, we’re here to show them love.

The same goes for artwork, adult content is very much allowed but please tag accordingly. 'Creator Chose Not To Use Archive Warnings' is a valid warning.

And, of course, please be excellent to each other.

We have a discord server, Runs In The Blood . Come have fun there too, share the hype, discuss the gang, maybe find some new friends, join our workshopping space, ask us questions if you have them, and we’ll be running watch parties during the event!

Our 2024 Masterlist can be found here if you'd like to check out the wonderful works from last Fangfest.

[thedreadvampy]

the other thing about Excel

(that's right we're still excelblogging. YOUR THIRTIES!!!!)

is that to me the function of Excel is effectively as a simple coding space to build calculating machines. and I am extremely good at that but I don't use most of its other features with any regularity - I don't really understand macros, pivot tables do less than I can do with in-cell formulas, if I want to make a simple text table I'll probably do it in Word and if I want a chart I always use Canva because it's more visually flexible. I'm here for a) building a big machine using multiline formulas and b) that sweet sweet conditional formatting.

but like. A Programming Space For Building Simple Machines isn't Excel's only or even necessarily its primary purpose. it's entirely valid to use it only to collate and display manual data, or to use its many other features that I barely notice exist.

It's a very versatile programme and so people tend to develop very idiosyncratic ways to use it, and the tools we're using may not even really overlap after 'enter data into cell' and I think that's really cool

So like you can be a very advanced Excel user without understanding formulas beyond the most basic. it's just that MY sheets won't make a blind bit of sense to you if you try to edit them.

[korokettes]

List of Every donation I've been asked to forward for Palestine and Additional Resources

GazaVetters number- 88, Etaf family

GazaVetters number- 213, Zina Alanqar

GazaVetters number- 519, Amal

GazaVetters number- 600, Asma and Shahd

Out of all the requests I've personally received, these are the ones with a valid GazaVetters number and link. If you have the money, I also recommend going through the GazaVetters Excel sheet to find people to donate to and to weed out the bots. If i recieve more links in the future, I'll update this thread with the ones that have asked this blog personally.

[blondephil]

dnp movie analysis p2: genres, studios, franchises

thanks everyone for enabling me <3 i'm back with some more analysis by genre, franchise, and studio!

genre ratings

first, genre ratings (genre is kinda arbitrary here, tbh; there's a lot of overlap!)

here we have the first table (please tumblr don't mess with the quality) (i can post the excel sheets if needed; r tables were being a pita)

here we have the number, mean (= median for all of this analysis), minimum, and maximum ratings by genre. within each statistic, i've highlighted the minimum (light) and maximum (dark) for dan (blue) and phil for genres with >1 movie (just realized i fucked up western, ignore that lmao)

phil has watched the most horror (64) and dan mostly sci-fi (53). interestingly, but presumably because of their love for these genres, each of their minimum scores went to these genres. if you watch a lot of one type of movie, you're gonna find the duds.

both of them liked christmas movies (tbh this was like, home alone, so), with their highest minimum and mean ratings being for that category (nostalgia, i assume because like, same). lowest mean scores were for superhero movies (both) and mystery (phil). for both of them, marvel was pretty all over the place (we'll get into that in a sec), so that's not super surprising.

their highest minimum scores were both given to war movies, which is a little surprising but this include movies like 1917 and dunkirk which are ~critically acclaimed~, so makes some sense. their minimum max scores went to westerns and mysteries for dan, and musicals, mysteries, and biopics for phil.

here are the histograms/bar charts for genres. these aren't the prettiest tbh, and i excluded some that had only one or two movies / weren't very interesting. without delving deep into the data, you can see how their preferences play out especially in horror and sci-fi, where phil has more highly-rated horror movies (partly because he's rated more) and dan has a lot of highly-rated sci-fi (but also low ratings). you also see how superhero movies are pretty middling -- there's almost a normal distribution! (not really, but sort of!). romance too. there's in general a lot of left skew here -- they like to rate movies highly.

final genre analysis is number of movies in one genre rated by one and not the other. i'm so sorry this table is so long.

i highlighted here the top three genres one has watched without the other. again we see phil likes his horror (and as i said in my last post, a fair amount of these movies were watched when dan was on tour, and this doesn't even include the guillermo del toro's cabinet of curiosities episodes he rated), but also thrillers (similar!) and comedies (which i get; i love to put a comedy on in the background). unsuprisingly, dan's watched a lot of sci-fi without phil, but also horror and comedy. in general, though, his genres are more distributed.

next, studios/franchises!

again, i've highlighted the maximum and minimum in each column, only for franchises. both of them really like ghibli, and dan likes disney more than phil (though i think this is missing big hero 6 now that i'm looking at it again, because dan rated that lower). that's theatre kid behavior: the 4.5 was beauty and the beast, all pixar and aladdin and so on were highly rated.

i fucked up the matrix somehow so just ignore that -- they both gave matrix sequels low scores

turning to franchises, phil is a harry potter hater (valid at this point). but loves lord of the rings. so does dan, though his dan's ratings actually skew pretty high for franchises in general (see: his maximum scores for each franchise are 4.5 or 5); he can pretend to be alternative or whatever but he's still a millennial at heart. their minimums minimums are both for star wars (sequels!) and marvel, which, valid. phil's highest minimum is bond (there were only a couple rated) and dan's is the hunger games, but unlike phil he only rated thg and catching fire, not either mockingjay.

and bar charts!

i only picked the most interesting ones here as well. marvel follows a similar distribution to the superhero movies, which, since they each only rated a couple dc movies (and i didn't include nolan's batmans), makes sense. again they both rate lotr highly, but the hobbit was low. the studio ones are less interesting imo because they skew so far left, but again: dan is such a disney kid.

that's all i have! i love this because dan, for all his faux cynicism, just rates movies so highly + it's so often the movies that don't fit his curated doomer persona but moreso the pooh one. and also phil expressing opinions! phil just watching a lot of horror!! i love it.

[mafaldaknows]

Kylie and timothe are allegedly getting married next year. Now tell me how is thios PR and how he's still getting his cherry popped by Armie Haammer. And I want a logical explaination, not some cult guru shit about believing in love and all that nonsense.

Hello, Anon:

Let’s stop for a moment and consider what the word “allegedly” means.

It seems to me that an unfortunate by-product of our social media culture is that people conflate allegations with facts, to the point that all anyone has to do these days to make something true in many people’s minds is simply to say it somewhere on the internet. It doesn’t even have to be “official”.

Allegations are not facts. Speculation is not confirmation. Hypotheses are theoretical. None of these things assumes itself as the truth, but merely introduces a starting point for further discussion or investigation in order to discover the truth about something.

So why bother to come to my inbox to ask me what I think about something that you already seem to think is true? It seems to me that you don’t need my validation. And don’t worry, Anon. I’ll spare you the cult guru shit about love.

Because what’s love got to do with it?

It takes at least two years for people to stop being on their best behavior around their romantic partners, so making a lifelong commitment to love, honor, and cherish someone in less time than that is a serious gamble, and seems highly unlikely in this case, assuming that at least one of them still has functional critical thinking skills, and isn’t in the habit of setting their life on fire without first contemplating the consequences, as most reasonable grown adults do, especially when making such a major, life-altering decision like getting married to someone they barely know.

What’s ironic to me, Anon, is that if you wanted me to agree with you, this would be a good spot to give you some cult guru shit about love. Because I believe that there are some people who know right away that they’ll love someone for the rest of their lives. But they tend not to need a team of managers and publicists, and constant, chronic, random no-one-asked-for-it-but-here-it-is-anyway press attention to prove it to everyone on the internet, in order to seal the deal. Lovers just love, no press required.

They only just allegedly met this spring. One year’s time is most likely not enough time for them to know if they’re suitable life partners for each other, if they intend to stay married, especially if they’re not even “official in private” and only “casual” at this moment in time, depending on how their insider source is feeling that day, depending on which way the wind blows, even when no one asked. It might be helpful for someone on their PR teams to keep track of what their insider source is telling the media on an hourly basis on an excel spreadsheet or something so they’re at least all on the same sheet of bullshit.

If it happens, then mazel tov to the happy couple, and let’s hope there’s a prenup, to keep things simple when if it falls apart.

As for popping a cherry, that’s a one-shot deal. Once in a lifetime. You might want to brush up on your idioms, Anon. 💥🍒💥

However T & A chose to define their connection to each other is no one’s business but their own. I’ve said this time and again. And who T sleeps with is also none of my business.

How T chooses to share his business that’s nobody’s business like nobody’s business is the larger issue, imho. The fact that T&K’s presence together has become ubiquitous in the media has now made it my business, like it or not.

Selling their relationship seems to be the point, and that’s the part I struggle with. It’s difficult to see the truth of their alleged love story when it’s so deeply embedded within such an obvious PR sales pitch. Even if they’re madly in love, that doesn’t change the fact that they’re also using each other as a means to an end. Famous people marry each other all the time without ever having to ask one to commodify themselves for the sake of elevating the other’s image.

Unlike some other relationships, however, T &A do not make it their business to make it our business to know their business, every damn day, for months on end. So I have no idea about the status of their relationship; romantic, platonic, doesn’t matter to me, Anon. But I can still be hopeful and watch for signs, with both my feet firmly rooted in reality.

Only time or Tim will tell.

Thanks for your question. ❤️🧿☺️🍒👀

[jsapharmaguideline]

Validated Excel Sheets for CpK Calculation & Process Capability Index — Available on JSA Pharma Guideline

Validated Excel Sheets for CpK Calculation & Process Capability Index – Available on JSA Pharma Guideline

Introduction: Why Process Capability Matters in Pharma?

In pharmaceutical manufacturing, maintaining consistent process performance is crucial to ensure product quality, compliance, and patient safety. The Process Capability Index (CpK) is a key statistical measure used in:

🔹 Continued Process Verification (CPV) 🔹 Annual Product Quality Review (APQR) 🔹 Product Quality Review (PQR)

At JSA Pharma Guideline, we provide validated Excel sheets for precise CpK calculations, allowing pharmaceutical companies to streamline process validation, ensure compliance, and enhance product consistency.

What is CpK and Why is It Important?

The Process Capability Index (CpK) measures how well a manufacturing process meets predefined specifications and quality requirements.

📌 CpK Formula: CpK=min⁡(USL−μ3σ,μ−LSL3σ)CpK = \min \left( \frac{USL - \mu}{3\sigma}, \frac{\mu - LSL}{3\sigma} \right)CpK=min(3σUSL−μ​,3σμ−LSL​)

Where:

USL = Upper Specification Limit

LSL = Lower Specification Limit

μ = Process Mean

σ = Process Standard Deviation

CpK Interpretation:

✔ CpK ≥ 1.33 → Process is capable and meets quality standards. ✔ CpK < 1.33 → Process needs improvement to reduce variability. ✔ CpK < 1.00 → Process is not capable; corrective actions required.

Validated Excel Sheets: A Game-Changer for Process Capability Analysis

At JSA Pharma Guideline, we offer pre-validated Excel templates designed to automate CpK calculations, ensuring accuracy and compliance in pharmaceutical manufacturing.

🔹 Key Features of Our Validated Excel Sheets

✅ Automated CpK Calculation – No manual calculations needed. ✅ Pre-Validated Formulas – Verified for accuracy as per regulatory standards. ✅ Graphical Representation – Histogram & Control Charts for trend analysis. ✅ Data Integrity Compliance – Audit trails & password protection available. ✅ User-Friendly Interface – Plug in data and get instant results. ✅ Customizable for CPV, APQR, and PQR – Tailored for pharma applications.

Application in CPV, APQR & PQR

1️⃣ Continued Process Verification (CPV)

Regulatory Guidelines: FDA, ICH Q8, ICH Q9, WHO GMP 🔹 Ensures that the process remains under control over time. 🔹 Helps identify trends, drifts, and variability in manufacturing. 🔹 Uses CpK values to determine whether the process remains within specifications.

👉 Our validated Excel sheets simplify CpK analysis for ongoing process verification, providing real-time insights into process performance.

2️⃣ Annual Product Quality Review (APQR)

Regulatory Guidelines: EU GMP Chapter 1, WHO TRS 986 🔹 Yearly evaluation of process capability, quality, and consistency. 🔹 Helps detect potential process deviations and improvements. 🔹 CpK values are a key indicator of process robustness.

👉 JSA Pharma Guideline’s Excel templates provide a structured format for APQR analysis, making it easy to generate reports for regulatory audits.

3️⃣ Product Quality Review (PQR)

Regulatory Guidelines: 21 CFR Part 211.180(e), ICH Q10 🔹 Comprehensive review of batch consistency, process control, and quality trends. 🔹 Identifies critical parameters affecting product performance. 🔹 Uses CpK to assess process stability over multiple batches.

👉 Our Excel sheets ensure seamless CpK calculations across multiple batches, helping manufacturers meet global regulatory expectations.

Benefits of Using JSA Pharma Guideline’s Validated Excel Sheets

🔹 Ensures Regulatory Compliance – Aligns with FDA, EU GMP, WHO, ICH Q9, ICH Q10 guidelines. 🔹 Reduces Manual Errors – Automated formulas ensure accurate calculations. 🔹 Saves Time & Resources – No need for complex statistical software. 🔹 Improves Decision-Making – Helps in proactive process optimization. 🔹 Enhances Data Integrity – Protects critical quality data with validation controls.

Conclusion: Optimize Your Process Capability Today!

With JSA Pharma Guideline’s validated Excel sheets, pharmaceutical manufacturers can efficiently monitor, analyze, and improve their process capability (CpK) in CPV, APQR, and PQR—ensuring consistent product quality and regulatory compliance.

📌 Ready to enhance your process capability analysis? 🔗 Download our Validated Excel Sheets now at [JSA Pharma Guideline Website]!

📢 Stay ahead in pharmaceutical quality assurance! #ProcessCapability #CpKCalculation #PharmaValidation #GMPCompliance #QualityAssurance #ProcessValidation #JSAGuideline #APQR #CPV #PQR

[yakuzabrainrotlive]

I have started Like A Dragon! I've actually already made it to chapter 5.

Why hadn't I made a post already, then?

Well, there's no sugar-coated way to put this so... let's just rip off the bandaid now.

I haven't really enjoyed myself playing this game this far. Yet. Maybe I will at some point. But for now I honestly just haven't had much to say in terms of what's happened in the plot besides the beginning. I don't hate the game, it's just that it hasn't been able to really hook me in yet.

I'll keep going since I've heard this game is one of the generally more loved ones in the franchise. And I know RGG loves its slow burn.

I hate to be a Negative Nancy, but I wanna be totally honest. I doubt y'all would want me to lie about how I feel about the game.

More about all that right at the end of the post. I will list my positives and negatives when it comes to this game (and talk about the battle system) down there.

I know this type of thing is common in RPGs, but I like it all the same. Neat little game mechanic. There's quite a few different ones here, but it's cool.

An interesting background for a main character. Yeah, being an orphan is more than common. But being raised by the employess in a soapland and the townsfolk around him? That's really out there - in a good way.

This was very sad. Ichi lost 15 years of his life to the joint and got nothing in return. The shock and disappointment on his face when he was released and there was just. No one waiting for him.

And after that, all that awaited him was just... betrayal. That's just brutal. I fully understand why Ichiban went into Total Denial Mode for a while; it must have been a totally incomprehensible and shocking situation.

-He got out of prison after 15 years and where he expected to find his family waiting for him, he found nobody. AND he suddenly had the freedom of choosing what to do, when to do it and where to go after 15 years. That can be scary.

-He witnessed how much the world and general society had changed in his absence and probably felt very confused.

-He saw his home totally wrecked and abandoned.

And now his mentor and beloved patriarch, the one who saved his life. The man he would have happily been ready to die for at any moment. That man had changed completely and acted like he didn't know Ichiban.

Yeah... the denial, frustration and desperation are totally valid.

Oh dear. Well, Kiryu wasn't there anymore, the Tojo upper brass kept changing and there was constant conflict within the clan itself. It was just a matter of time before Omi would take advantage of the situation.

I hope Majima and Daigo are okay. Or at least alive ;-;

*Faint sounds of Majima cackling in the distance*

Oops. Majima better hope Ichi doesn't find out who the driver was lmao. I feel bad for Ichiban, but I also love how this single random idea of Majima's still has these consequences that are brought up, even after all this time.

God bless Nanba. He's a sweetheart. That's all I can say about him. I also kinda like Adachi. I'm not attached to these side characters yet, but they're neat. I think they'll grow on me eventually, it's just that I tend to be slow when it comes to becoming attached to new characters.

Legends say that if you pull this bat out, Shinada will appear in front of you and ask for some money....

I did play through the whole soapland thing and then some. I don't have much to say 😭. We do have a woman fighting with us, finally after all this time! #Girlboss

I would honestly happily die for Nancy. No questions asked.

OKAY UHH POSITIVES AND NEGATIVES.

Positives:

-Ichiban

-Interesting premise

-The different jobs satisfy my hyper-optimizing, excel-sheet-making, micromanaging self

-Funny enemy titles like "Piss Wizard"

-Free full heal spots my beloveds❤️

-Voice acting (in the Japanese dub at least) is excellent

-Substories have been fun!

Negatives:

-EXP yield is... not optimal; grinding takes FOREVER unless you go fight higher-level people than yourself, but then the battles can take ages. Job exp grinding especially feels about as pleasant as pulling teeth.

Am I supposed to grind in this game?? I've started to wonder about that since it's such a slow process. I have absolutely no idea. Have I missed a thing that helps exp gain??

-Unless you get lucky with the ability to find treasure, money yield can be tight at times, too. Which is rough, considering the cost of gear with 4 team members (and probably backup members later).

-The premise is cool, but the stuff I've played through in terms of the plot after leaving Kamurocho hasn't been very interesting to me this far (early-to-mid chapter 5) :/

-Substories don't give you EXP 😭

How about the elephant in the room - the battle system?

Well. I'll come out with it straight away; I'm very, VERY picky when it comes to turn-based combat. Shin Megami Tensei and Persona have unfortunately spoiled me too much, so this game had some unfairly MASSIVE boots to fill. And it didn't quite fill them. My bar is way too high and I acknowledge that 100%.

I get that they didn't want to make the system completely "passive" by just having to select moves and it all going smoothly from here. But I dislike the timing-based quick time stuff in the middle of attacks and perfect guard. I can pull off the attack dmg boost thing most of the time, but perfect guard is just... it feels way more difficult to pull off than Tiger Drop in any previous game. It's very frustrating. I frankly feel stupid, having this difficult a time with it.

Grinding is further hindered by spread moves being kind of unreliable - if the enemies are spread out, you're only hitting a single foe. For now. Maybe there will be better moves later on.

Idk if it's just me, but characters' MP pools feel very limited compared to the cost of the moves combined with how little damage you do at times? Maybe it's just the fact that I'm in the earlier parts of the game, but I feel like I have to be replenishing MP constantly.

I like how all the different types of gear can have additional special effects. It's neat.

All in all the battle system feels... very laborius. I can work with it! Absolutely. I'm just not the biggest fan.

God, I wish I could just gush about this game and sing its praises, but that's not happening yet by a long shot. This far? Maybe a 6-6.5/10. I hope my opinion changes for the better as I progress; I really wanna love it as much as other fans seem to.

[dienoctes]

blasting  killing me  by omar apollo  down  main  street  we’ve  spotted  VALERIAN SALCEDO sporting  their  sunflower earring.  the  forty-five ( five hundred twenty one )  year  old  REAPER who’s  been  in  town  for  five months  often  can  be  seen  getting flowers at the white oleander, bumping into exes at rosie's, tending to his garden  or  working  as  a  AGRICULTURE & BOTANY PROFESSOR at  portum university.  people  say  they  display  friendly  and  controlling  traits,  but  we  rather  trust  their  vibes:  a field of sunflowers, a house filled with healthy plants, a detailed and well-managed excel sheet, gentle hands closing cold eyes.  also,  we’ve  heard  they  love  SUNFLOWERS !   aren’t  they  fascinating ?

STATISTICS

NAME:  valerian oleastro salcedo, ph.d. (originally kame)

NICKNAME:  val

AGE & BIRTHDATE:  521 (physically 45), february 14th

SIGN:  aquarius

BIRTHPLACE:  guatemalan highlands, maya region

GENDER & PRONOUNS:  cis male, he / him

ORIENTATION:  bisexual

OCCUPATION:  agriculture & botany professor at portum university

INSPIRATION:  death of the endless (the sandman), shu (arknights), sersi (the eternals), sam (crashing), caduceus clay (critical role), frieren (frieren: beyond the journey's end)

FAMILY

MOTHER:  tba (deceased)

FATHER:  tba (deceased)

SIBLINGS:  cyrus hemlock (chosen family)

CHILDREN:  nila maharjan (chosen family), biological children are…. to be determined, his bajillion plants

PETS:  paloma (self-proclaimed co-parent. this is cyrus' cat)

AESTHETICS

FACECLAIM:  oscar isaac

HAIR COLOR:  dark brown, graying

EYE COLOR:  brown

PIERCINGS:  dangling sunflower earring on his left ear

TATTOOS:  tattoos on his shoulders, arms, and chest that date back to the ancient maya civilization. these tattoos honor the maya gods hun hunahpu and kinich ahau.

CLOTHING:  button ups, tweed jackets, corduroy jackets, blazers, coats, sweaters, straight cut pants, leather shoes 

PERSONALITY

valerian is a very friendly and extroverted person. he's never one to turn down a conversation — believing that there's always something to learn even in the most trivial of topics. he thrives in the mundane aspects of life and likes to take things slow but with purpose. he loves having a routine to follow and finds joy in cleaning, gardening and hosting dinners with friends at his place. as a professor, valerian can be harsh. it's like a switch turns on inside him whenever class is in session. the gentleness and sunny persona are replaced with biting words and harsh but constructive criticism. valerian can be controlling. he's decisive and usually goes with a plan without consulting others beforehand. an argument is never off the table when a plan of his goes awry, and he's preferred working alone because of it. he's stubborn in that way, sometimes not realizing that he's alienated people because of this behavior.

BACKSTORY (trigger warning: death of parents) 

kame was born in the guatemalan highlands to a loving family and a community of farmers during the ancient maya civilization. since he was young, he was always the patient, analytical type. his skills were honed in adversity — farming was difficult where his village was located, but through sheer ingenuity, managed to make ends meet for his family and community.

it wasn't until he was older that kame realized he had abilities beyond what was natural for a human being. he had a knack for knowing when someone was about to pass away, something he originally thought everyone had a sense for. his suspicions were validated one night and several hours in the morning, when he realized he couldn't wake up, but could feel himself wandering in the dreams of another person. his parents tried their best to hide their powers from him — that everyone experienced these episodes every once in a while. but the nights and days kame spent in the dreams of the dying wore him out. it was after the fourth dream that kame's parents told him about his supernatural lineage.

under his parents' guidance, he continued learning. but it took far longer than an average lifetime to master his newfound abilities, even for someone of his intellect. alas, his parents passed away far too early; lost to the spanish conquest while ferrying the souls of their fellow men in the midst of the chaos. in their farewell, kame unknowingly brought them to the bay, ready to board the boat towards the sun. his parents were the first of many souls that kame would soon have the duty of shepherding.

after a few more years, kame was now the leader of his village. he'd known his life wasn't destined to end here. that in the long life he's lived as a mentor, teacher, and farmer, he has barely scratched the surface of the eternity he was destined to experience. when he finally accepted that his people no longer needed him, kame 'passed away'.

the now nameless reaper, in his search for a new purpose, eventually came across another of his kind: a traveler named elio castellano. he took the nameless reaper in and taught him the things his parents never got to teach him. in elio, he found a mentor, a friend, and a brother.

soon, he and elio would part ways. after a fork in the road and a promise to find each other in the next few lives, the reaper set out to pave his own path. he'd go by many names, experience many different lives, and meet many different people. his most recent existence is as a professor named valerian salcedo.

[smbhav]

Sales Tracker vs Sales Automation: What's Right for SMBs in 2025?

In today's digital economy, tracking sales activities has become more important than ever. Whether we’re at networking events or meeting customers, one question often comes up:

“Can we keep track of our sales team without making them feel monitored all the time?”

Our answer: “You are tracking activities, not people.”

In 2025, small FMCG businesses and emerging CPG brands need to track on-field sales. Writing retailer orders in notebooks was fine back in the day.

Sales Tracker vs Sales Enabler: What’s the Difference?

Sales Tracker: A tool to digitize and monitor sales activities in real time. It offers basic data but minimal insights.

Sales Enabler: An advanced solution that automates processes and uses real-time insights to provide detailed data on sales volume, outlet visits, performance trends, and more.

For example, the Sales Force Automation App goes beyond tracking. They analyze historical data to suggest better routes, product assortment, and provide actionable insights to improve performance.

Why Do SMBs Need a Sales Enabler in 2025?

Many small FMCG brands still rely on Excel sheets to track sales. While it works in the early stages, managing a business in today’s competitive market, where over 12 million retail outlets serve products from 30,000 brands, requires more advanced tools.

Here’s what a Sales Enabler can do for SMBs:

Validation of Outlet Visits: This is an essential feature that ensures every visit to a retailer is genuine. With geo-fencing, you can confirm each visit, while live tracking allows you to monitor the number of outlets visited, the average time spent at each outlet, and other key activities like leaves or meetings. This gives you a clear picture of your field team’s productivity throughout the day.

Smart Order Booking: For emerging businesses, smart order booking takes sales tracking to the next level by enabling faster and smarter order processing.

3. Automated Attendance Management: KRA-based attendance management system brings transparency and discipline to field operations. By implementing a KRA-based attendance policy, you can encourage salespeople to meet defined goals like total outlet visits or starting their beat on time.

Benefits of Sales Enablement Solutions for Growing Businesses

Improved Productivity: Sales enablement platforms ensure higher compliance and productivity by closely monitoring field activities.

Improved Market Penetration: Unlike basic sales trackers, sales enablement solutions provide in-depth insights into market penetration.

Better Sales Performance: By analyzing historical data, business owners and sales leaders can identify trends and patterns in consumer behavior, such as which products are in demand, when, and where.

Competitive Edge: Sales enablement solutions also enable growing businesses to stay ahead of competitors by tracking how their brand performs against others in the market.

Accurate Forecasting: A good sales enabler like the SFA App provides historical data comparisons, including year-on-year, month-on-month, and even three-month trends.

[genderfluid-info-blog]

Hii, I know I'm probably asking this during the period you're not available, but I'll wait

Sometimes I'm non-binary, sometimes I'm agender, sometimes I'm a feminine gender (demi-girl, female, etc)

Now the thing is I have no idea if I'm genderfae or genderthell

Do you have any tips?

Hey, first off, thank you for waiting <3

As for your questions, micro labels can occasionally overlap and be really similar to each other, so I definitely understand the struggle. But there are a few things that might help you:

Keep track of the genders you are feeling. It might be difficult to narrow it down sometimes, but keeping a list over the span of a few weeks (or longer, depending on how often your gender changes) might give you a better overview of how your gender changes and which genders you experience the most. (extra tip: do this on excel, google sheets or another similar app that you can use for statistics, it makes the whole process much easier)

Try calling yourself genderfae and genderthell respectively (you can do this with other people or alone in your room, whatever you feel more comfortable with) and see how it makes you feel. Which label makes you feel more comfortable? Which one feels more like you?

Try engaging with other genderfae and genderthell people. Often you can find people openly talking about their experience and perception of their gender online, which is great to see if you feel similarly. But please, for this suggestion always keep in mind that each and every experience is unique! Use it as extra help/guidance, but do not compare yourself to other people. If your gender doesn't feel the exact same way as someone else's, but you both use the same label, that's entirely valid!!

Affirm yourself as genderthell and genderfae respectively and see which one makes you feel better! Often our hearts know the answer before our brains do. Affirm yourself (by engaging with positive content, art, music etc) and see which one makes you feel more confident and loved in yourself :)

If you have any questions or want some extra guidance etc, don't be afraid to ask more questions! Talking about it can often help clarify things. Whether it's with your family, friends, people online, sending other asks, it doesn't matter!

I wish you good luck on your gender journey!! Hope you have an amazing day🩷🤍💜🖤💙

[utilitycaster]

On the Midst messages topic:

I thought the discussion about making their original PCs less heroic for the sake of the story was interesting, and “must a character have flaws?” reminds me of “must a story have conflict?” So I was curious if you had thoughts on what differentiates interesting characters in actual play vs. other kinds of storytelling, and how their flaws/virtues play into that.

Like, obviously there are lots of flawed characters in a show like CR that are in fact excellent for storytelling and fun to play, but somewhere else along that spectrum is Moc Weepe who is a fascinating character but (at least for me) would not be fun to play in a TTRPG.

Oh sure!

I think all characters do need to have flaws, and it's worth noting that even the classic D&D character sheets have a box for flaws and that's outside any stat dumps they may have. And to be actually compelling, it does need to be an actual flaw and not "they try too hard and care too much" unless they truly care do the above to the brink of destruction or something. I suspect the original incarnations of the Midst "PCs" still were flawed to an extent; it sounds like Moc was still kind of creepy and weird, Lark still kind of brusque and awkward around people, and Phineas still overly devoted to a horrible cause; they just weren't quite as extreme. (For what it's worth I think Weepe would be super fun to play in a TTRPG provided you all had had a good chat about boundaries and everyone understood that you were playing a complete bastard; I've never really played a TTRPG where you weren't a party working together but Midst clearly is not a party-oriented story so I think that makes a huge difference.)

It's true that a lot of people do make a really cool guy (gn) to play in D&D or similar TTRPGs. Sometimes, to be honest, this means that their game would not actually be terribly fun to watch. I do know people who are mostly interested in playing D&D for mechanics and puzzle-solving and not character development, and that is valid! It's collaborative storytelling, but the experience of playing in the story is a different one from watching it. I think a lot of people don't realize this - a really fun game between you and your friends could be mostly fucking around that makes for a terrible story (*cough* anyone who writes a novella in the replies or tags in a generic D&D post about their home game). That probably wasn't true of Midst even in the earlier incarnations, since they were working outside the bounds of mechanics specifically for the purpose of storytelling, but (for example) the CR cast has specifically talked about some minor changes they made to playstyle compared to a home game, and the reason a game not intended to be actual play from the start made the transition so successfully was in part because of the voice actor angle - these are people who have to find a story and come up with an entire realized character, often from very little, to be able to act.

The biggest thing actual play characters need to do for me is take action and voice their thoughts either directly or through subtext, because actual play has a pretty unique challenge in that it's like film, in that you don't really get a narration of the character's innermost thoughts unless there's some kind of voice over monologue; but you also don't have film's ability to show a character alone for a long stretch of time, at least not frequently; and you have to describe all the visuals. A passive actual play character, even if their mind is full of interesting thoughts, is not interesting unless that's being conveyed somehow. Bold moves are to be rewarded, as are characters who are good at bouncing off others (which means both conflict and cooperation; interaction in all forms). Characters really need to be making choices and those choices need to be communicated.